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  • HOME
  • ABOUT
  • THE FAMILY ALBUM
  • ONCE UPON A TIME IN ROMANIA
    • ▸Bucharest, 1989: The days of Revolution
    • ▸I’ve also lived under communism
    • ▸Portraits of transition
    • ▸”Cabernet cu pepsi”
    • ▸Romania, 1990: Beyond the headlines
    • ▸“Mineriada” – My story
    • ▸Memorial of pain
  • WORK IN PROGRESS
    • ▸Barbershop
    • ▸Melancholic Identities
    • ▸Faces
    • ▸Fragmentary world
    • ▸Two
    • ▸Buddhist monks
    • ▸About windows and walls
    • ▸Mediterraneo
  • STORIES
    • ▸Alone, together
    • ▸Life and death in Varanasi
    • ▸Trans-Siberian – An experience of becoming
    • ▸Boxing in Havana
    • ▸Moving out of Escobar shadow
    • ▸One night at Htee Thein monastery
    • ▸Easter in Sicily – I misteri
    • ▸Easter in Sicily – La pasquetta
    • ▸Stalin’s Museum in Gori
    • ▸Havana: Between magic and decay
    • ▸Muay Thai for a day
    • ▸Cuban billboards
    • ▸Seeking a geisha
    • ▸Belfast’s murals: Behind and beyond
    • ▸Riding the Yangon’s ring train
    • ▸Bazar-Barakholka-Vernisazh
    • ▸An unexpected trip to Dhobi Ghat
    • ▸A different way to look at death
    • ▸Cannes under siege
    • ▸Inside the Guru’s kitchen
    • ▸Tibetan refugees
    • ▸The Golden Triangle: A Mecca of tribal diversity
    • ▸Bullfighting: Barbaric or art ?
    • ▸Crafts and traditions in Morroco
    • ▸Glastonbury with God
  • TRAVEL
    • Cuba
      • ▸The show must go on (part 1)
      • ▸The show must go on (part 2)
      • ▸The show must go on (part 3)
      • ▸The show must go on (part 4)
    • France
      • ▸Paris
      • ▸Paris. Again
    • Greece
      • ▸Mount Athos
      • ▸Postcards from Santorini
      • ▸Athens
      • ▸Mykonos – The picture-perfect Island
    • Germany
      • ▸Berlin
    • Vietnam
      • ▸Four days in Hanoi
      • ▸Cruising through the misty Halong Bay
    • India
      • ▸Portraits of Kashmir
      • ▸Rishikesh – Spiritual marketplace
      • ▸Life on the Sidewalk
    • Ireland
      • ▸The capital of pubs
      • ▸Ireland in ten days
    • Israel
      • ▸Israel in black & white
    • Colombia
      • ▸Colombia
      • ▸Paisas, coffee and much more
      • ▸Streets of Bogota – From Dystopia to Hope
      • ▸Life along the magical Magdalena River
      • ▸A non-touristy guide to Cartagena’s Caribbean paradise
    • Myanmar
      • ▸Min-ga-la-ba Myanmar
      • ▸Up and down on the hills of Shan State
    • Japan
      • ▸Tokyo
      • ▸Springtime in Kyoto
    • Portugal
      • ▸Life at the edge of Europe
    • Russian Federation
      • ▸The unexpected Moscow
      • ▸White Nights in St. Petersburg
    • Italy
      • ▸Rome
      • ▸Random Sicily
      • ▸Vedi Napoli e poi mori
      • ▸Venice
      • ▸Vanishing Venice
    • Morocco
      • ▸Sunset, camel rides and tea in Erg Chebi
      • ▸Medinas: Morocco’s hidden cities
      • ▸Morocco outskirts
      • ▸Djemaa El Fna encounters
      • ▸Surf and hippies
      • ▸The road of the One thousand kasbahs
      • ▸Amazigh – Berber – Free men
    • Georgia
      • ▸Postcards from Georgia
      • ▸The Many Faces of Tbilisi
    • Nepal
      • ▸Kathmandu Valley
    • Romania
      • ▸Romania to go
      • ▸Maramures
      • ▸Tara Motilor
    • Jordan
      • ▸Bedouin Trails
    • Turkey
      • ▸From Turkey with love
      • ▸Ballooning Cappadocia
      • ▸Where East meets West
      • ▸Street life, Istanbul-style
    • Mexico
      • ▸Finding Mexico City
    • Malaysia
      • ▸Transit KL
    • UK
      • ▸London
      • ▸Grab your kilt and bring your pipes
    • Sweden
      • ▸Stockholm
    • Spain
      • ▸Off-season Andalusia
    • Thailand
      • ▸Bangkok, year 2555
      • ▸Life in Pai
      • ▸Thailand
    • Laos
      • ▸Luang Prabang – The City of ultimate Zen
    • Poland
      • ▸Why I love Poland
    • Estonia, Latvia & Lithuania
      • ▸Neighbors, but not relatives
      • ▸Patarei – A little slice of Hell
    • Findland
      • ▸A sunny day in Helsinki
    • Denmark
      • ▸Copenhagen
  • SINGLES
  • CONTACT
  • MY BOOKS
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A different way to look at death

 

Death is not always as grim as it seems. At least not in Sapanta – an unassuming village located in the Northern Romania, where at the “Merry Cemetery,” over 800 wooden crosses bear the life stories, humorous details, and final moments of the bodies they mark. The name of the cemetery was inspired by the epitaphs and satirical poems engraved on the crosses. A relevant episode in the departed person’s life – usually the one that caused his death is pictured on every cross. Each grave is marked with a lively carved wooden cross, decorated with a painting and an original poem that disclose a little something about the life and character of the plot’s eternal inhabitant.

The founder of the cemetery is considered to be Stan Ioan Pătraş, a local woodworker, poet and painter, who carved the first tombstone in 1935. Stan Ioan Pătraş developed a careful symbolism in his work. Green represented life, yellow represented fertility, red for passion, black for death. The colors were always set against a deep blue, which Pătraş believed represented hope, freedom, and the sky. Other symbolism – white doves for the soul, a black bird to represent a tragic death. After his death in 1977, Stan Ion Pătraş’ apprentice Dumitru Pop, took over the trade after his teacher died. Pop has since spent the last three decades continuing the work, and has turned the house into a workshop-museum.

It is speculated that the idea behind the Merry Cemetery lies in Romanian’s ancestors – the Dacians beliefs, who considered death as a reason for joy. Thus Săpânţa Cemetery is not a place of Death, but one of Revival. Under the brightly colored crosses, the “Dwellers” revive whenever someone visits them and invites you to discover their lives. Walking between crosses and graves, met the persons who is buried there, transformed the cemetery walking into a deep transformative experience. Death is part of our lives. How we relate to it is part of our life journey.

 

 

 

 

A different way to look at death

 

Death is not always as grim as it seems. At least not in Sapanta – an unassuming village located in the Northern Romania, where at the “Merry Cemetery,” over 800 wooden crosses bear the life stories, humorous details, and final moments of the bodies they mark. The name of the cemetery was inspired by the epitaphs and satirical poems engraved on the crosses. A relevant episode in the departed person’s life – usually the one that caused his death is pictured on every cross. Each grave is marked with a lively carved wooden cross, decorated with a painting and an original poem that disclose a little something about the life and character of the plot’s eternal inhabitant.

The founder of the cemetery is considered to be Stan Ioan Pătraş, a local woodworker, poet and painter, who carved the first tombstone in 1935. Stan Ioan Pătraş developed a careful symbolism in his work. Green represented life, yellow represented fertility, red for passion, black for death. The colors were always set against a deep blue, which Pătraş believed represented hope, freedom, and the sky. Other symbolism – white doves for the soul, a black bird to represent a tragic death. After his death in 1977, Stan Ion Pătraş’ apprentice Dumitru Pop, took over the trade after his teacher died. Pop has since spent the last three decades continuing the work, and has turned the house into a workshop-museum.

It is speculated that the idea behind the Merry Cemetery lies in Romanian’s ancestors – the Dacians beliefs, who considered death as a reason for joy. Thus Săpânţa Cemetery is not a place of Death, but one of Revival. Under the brightly colored crosses, the “Dwellers” revive whenever someone visits them and invites you to discover their lives. Walking between crosses and graves, met the persons who is buried there, transformed the cemetery walking into a deep transformative experience. Death is part of our lives. How we relate to it is part of our life journey.

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